![]() ![]() The themes that would endlessly excite him, that he would return to over and over and over again. The cover artwork of “Outside” is a 1995 David Bowie self portrait painted in watercolor on canvas titled, “Head of DB.” Image Courtesy of Denovo. He started painting with greater frequency, and he would often use his paintings to inspire his musical collaborations. What Bowie did back in ‘95 was very similar to what he had done in Berlin in the early ‘70s, which is: just strip everything down and go back to role playing, game playing, really trying to get as far out of his comfort zone as possible. From that vantage point, he then decided to jump back into work with a new passion and vigor. Iman introduced a whole new kind of role that had eluded him, and he was able to put down roots and start building a home. Then had a kind of famous return to form with “ Black Tie White Noise,” which in retrospect, is not really a return to form.īut when he reconnected with Brian Eno, who he ran into at his wedding with Iman, he had arrived at a place in his career, at a new station. ![]() The 1995 album reunited Bowie with musician and producer Brian Eno, who contributed to Bowie’s “ Berlin Trilogy.”įor Morgen, “Outside” is possibly one of the “greatest timestamps of career.”īowie had been in the commercial wilderness for several years, ‘84 to ‘87, and then joined “ Tin Machine” as a sort of palate cleanser. ![]() As filmmaker Brett Morgen studied David Bowie’s creative, musical, and spiritual journey for seven years for his new documentary “ Moonage Daydream,” Morgen re-discovered one of Bowie’s lesser known records, “ Outside.” ![]()
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